This ink on paper silhouette portrait of future president John Quincy Adams was created by Henry Williams (professionally knowns as H. Williams) in 1809 and depicts Adams wearing a top hat. Adams was an early adopter of the top hat, despite its decline in popularity in the late 1700s. By the early 1800s, top hats served as a sign of status, and fashionable men would not have been seen in public without the latest hat style. While Adams is not usually pictured wearing a hat in his portraits, in this 1809 silhouette, his top hat is in the popular fashion of the time, around six or seven inches tall, with a narrow brim curving downward at the front and back. Silhouette portraits were fashionable and readily available throughout Europe and the United States in the 1800s. John Quincy Adams was the son of President John Adams and First Lady Abigail Adams. Prior to his presidency, President Adams was a diplomat to the Netherlands, Prussia, Russia, and the United Kingdom. He served as Secretary of State under President James Monroe and is the only president who went on to serve in the United States House of Representatives after being president. Adams represented his home state, Massachusetts, in the House.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a pheasant among flowering branches. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding a parasol during a gentle snowfall. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding the three-stringed instrument or shamisen. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts two cranes beneath a crabapple tree. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman braving a snowstorm. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a man with swords near a flowering tree. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This architectural drawing of the entrance hall doors to Decatur House was created by Benjamin Henry Latrobe in January 1818. The drawing also depicts the door elevation and reflected ceiling. Latrobe is best known as the architect who designed the United States Capitol, St. John's Church, Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms. He was also the chief engineer for the U.S. Navy. Completed in 1818, Decatur House was the third building on Lafayette Square and its first private residence. Decatur House was designed by Benjamin Henry Latrobe, the architect of the Capitol and several other famous buildings, for Commodore Stephen Decatur and his wife, Susan. Tragically, in 1820 Stephen Decatur was mortally wounded during a duel and his widow Susan subsequently rented out the house to foreign ministers and several secretaries of state. The house was eventually sold and passed through several hands, including the Gadsby family, the U.S. Subsistence Bureau, and the Beale family. Marie Ogle Beale, a society maven, and the last owner left the house to National Trust for Historic Preservation in 1961. In 2010, the White House Historical Association and National Trust entered into a co-stewardship arrangement of Decatur House.

This architectural sketch of the west end of the White House was drawn in 1810 by Samuel Blodget, Jr., a merchant and amateur architect and artist.

This plan was drawn by James Hoban circa his 1793-1794 designs for the White House. Hoban, an Irish-born architect, won the competition to design the President's House. The competition was announced by then-Secretary of State Thomas Jefferson and the prize for the winner was $500 or a medal of equal value. This drawing captures an initial plan for the North Front of the White House. Winfield Parks photographed this plan in 1962.

This plan was drawn by James Hoban circa his 1793-1794 designs for the White House. Hoban, an Irish-born architect, won the competition to design the President's House. The competition was announced by then-Secretary of State Thomas Jefferson and the prize for the winner was $500 or a medal of equal value. This drawing captures an initial plan for the North Front of the White House. Winfield Parks photographed this plan in 1962.

This plan was drawn by James Hoban circa his 1793-1794 designs for the White House. Hoban, an Irish-born architect, won the competition to design the President's House. The competition was announced by then-Secretary of State Thomas Jefferson and the prize for the winner was $500 or a medal of equal value. This drawing captures an initial plan for the North Front of the White House. Winfield Parks photographed this plan in 1962.

This watercolor by artist George Munger depicts the burned-out shell of the White House after it was destroyed by British troops on August 24, 1814. The painting shows the once elegant and imposing House standing alone in the landscape, a vivid reminder of the destruction and that the capital city was still in its infancy. A curious element of the work is the s-curved shape above the near corner of the roof. It is believed to be part of a metallic conductor that encircled the roof and functioned as a lightning protection system.

This is the index page from the "Journal of Musick" published by Charlotte Le Pelletier, under the name Madame Le Pelletier, which is now housed at the Library of Congress. This volume is a copy of the one First Lady Dolley Madison purchased to provide entertainment for her guests during events at the White House. The volume consists of 31 pieces, mostly of light operas composed by British, Italian, and French composers, including Le Pelletier.

This is an ink and gouache depiction of the Folie de la Bouëxière, the estate future president James Monroe purchased on March 28, 1795 while serving as the United States Minister to France under President George Washington. This representation highlights the unique, off-set approach to the estate, which appeared suddenly at the end of a long road lined with trees instead of at a more common straight axis. Monroe purchased the estate for 350,000 francs and lived there with wife Elizabeth, daughter Elizabeth "Eliza" Kortright Monroe, seven servants, a chef, a coachman, and a gardener for two years. The Monroes entertained at the estate, inviting a social circle that included other Americans and French officials.

This is an ink and gouache depiction of the Folie de la Bouëxière, the estate future president James Monroe purchased on March 28, 1795 while serving as the United States Minister to France under President George Washington. This representation highlights the gardens and slopes used to keep the estate private for its residents. Berms and banks were used on the east and west sides to conceal the estate. Monroe purchased the estate for 350,000 francs and lived there with wife Elizabeth, daughter Elizabeth "Eliza" Kortright Monroe, seven servants, a chef, a coachman, and a gardener for two years. The Monroes entertained at the estate, inviting a social circle that included other Americans and French officials.

This is an ink and gouache depiction of the Folie de la Bouëxière, the estate future president James Monroe purchased on March 28, 1795 while serving as the United States Minister to France under President George Washington. This representation highlights the south front of the estate, with its rows of French doors leading from the large salon inside out onto the terrace and the gardens beyond. Atop the estate is a rooftop tent, used for dinners and afternoon teas. Monroe purchased the estate for 350,000 francs and lived there with wife Elizabeth, daughter Elizabeth "Eliza" Kortright Monroe, seven servants, a chef, a coachman, and a gardener for two years. The Monroes entertained at the estate, inviting a social circle that included other Americans and French officials.

This is an ink and gouache depiction of the Folie de la Bouëxière, the estate future president James Monroe purchased on March 28, 1795 while serving as the United States Minister to France under President George Washington. This representation highlights the unique, off-set approach to the estate, which appeared suddenly at the end of a long road lined with trees instead of at a more common straight axis. Monroe purchased the estate for 350,000 francs and lived there with wife Elizabeth, daughter Elizabeth "Eliza" Kortright Monroe, seven servants, a chef, a coachman, and a gardener for two years. The Monroes entertained at the estate, inviting a social circle that included other Americans and French officials.

This reproduction is of a portrait of First Lady Dolley Payne Todd Madison painted by Bass Otis in the mid-19th century. Dolley Madison served as first lady during her husband's tenure as the fourth president of the United States from 1809 to 1817.

This ink silhouette on paper of First Lady Abigail Adams by an unknown artist was completed circa 1810. Inscribed on the lower right is "Mrs. Adams." Abigail Adams was first lady when her husband John Adams served as president of the United States from 1797 to 1801. Their family was the first to live in the White House, which was ready for occupancy in 1800, toward the end of his term in office.

In this drawing completed in 1966 by Paul Hoffmaster, President Thomas Jefferson sends Meriwether Lewis to explore the vast Louisiana country. Lewis served as a private secretary to President Jefferson, and later joined with William Clark to complete the first transcontinental journey by the United States to the Pacific coast. The author of the Declaration of Independence, Jefferson served as president from March 4, 1801 until March 4, 1809.

This ink on paper on board depiction of the East Room, titled Corner of East Room, was completed by Joseph Pennell in 1881.

This ink and paper drawing of the Blue Room was drawn by J. M. Gleeson around 1896 during Grover Cleveland's second administration. The drawing shows a richly dressed woman looking towards the fireplace on the east side of the room. Gleeson's drawing was published in Munsey's Magazine in September 1896.

This circa 1896 sketch of the East Room was published in Munsey's Magazine in September 1896. It depicts the East Room as it appeared during the second administration of President Grover Cleveland.

This ink and charcoal drawing by W. A. Rogers (often referred to as William Allen Rogers) depicts men delivering ice on a hot morning in 1881, during the weeks following the shooting of President James Garfield. A line of horse-drawn carriages delivering the ice extends down the north drive of the White House. The ice was intended to help cool the temperature in the house and aid the ailing president. Drawn from the perspective of the North Portico of the White House, facing north towards Lafayette Park, a column is at the forefront on the left side of the drawing with a large, ornate sconce or lantern extending out of the column. The first air conditioning system was installed in the White House in 1933. Rogers was an American cartoonist and illustrator, who replaced Thomas Nast at Harper's Weekly in 1877.