This Rococo-Revival armchair was taken by George F. Mobley in 1962. It is similar to the one in G. P. A. Healy's famous portrait of President Abraham Lincoln. The chair was found in storage and reupholstered in wine-red velvet that was popular in the Victorian era. White House Curator Lorraine Waxman Pearce was most likely responsible for researching and arranging for the chair's restoration. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This photograph of a Rococo-Revival armchair was taken by Abbie Rowe at the White House circa 1961 to 62. It is similar to the one in G. P. A. Healy's famous portrait of President Abraham Lincoln. The chair was found in storage and later reupholstered in wine-red velvet that was popular in the Victorian era. White House Curator Lorraine Waxman Pearce was most likely responsible for researching and arranging for the chair's restoration. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This photograph of a side chair by Pierre-Antoine Bellangé in the Blue Room was taken in March 1962 by George F. Mobley. For First Lady Jacqueline Kennedy's restoration of the White House, the Blue Room was restored to the period of the James Monroe presidency. The chair had been returned to the White House Collection as a gift for that restoration project. In 1817, President Monroe imported a suite of gilded beechwood furniture by the noted Parisian cabinetmaker, Pierre-Antoine Bellangé, as well as a table plateau, vases, clocks, tables, gold centerpieces, and candelabrum to create a splendid setting for social events. The Blue Room is located on the State Floor of the Executive Mansion. The oval parlor has been known as the Blue Room since Martin Van Buren’s 1837 redecoration. The room is often used for receptions, photo opportunities, and during the holiday season is home to the official White House Christmas Tree. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This mahogany sofa was crafted in the Empire style with bronze sphinx heads decorating the corners under the arm supports. The sofa is believed to have belonged to First Lady Dolley Madison. This photograph captures the sofa as it appeared in the Red Room, during the John F. Kennedy administration. The silk upholstery was the same as the wall coverings at the time. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This photograph of a Rococo-Revival armchair was taken by Abbie Rowe at the White House circa 1961 to 1962. It is similar to the one in G. P. A. Healy's famous portrait of President Abraham Lincoln. The chair was found in storage and later reupholstered in wine-red velvet that was popular in the Victorian era. White House Curator Lorraine Waxman Pearce was most likely responsible for researching and arranging for the chair's restoration. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This white, cast-iron bench is of the Rococo Revival style during the Victorian era and may have been purchased during the Millard Fillmore administration. Bates Littlehales photographed the bench on the White House Grounds in March 1962. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

The red and gold ottoman in this photograph was part of a gilt Victorian suite made by Gottlieb Vollmer of Philadelphia. The ottoman originally came to the White House during the James Buchanan administration. It is photographed here in the China Room, likely during the John F. Kennedy administration. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

The red and gold ottoman in this photograph was part of a gilt Victorian suite made by Gottlieb Vollmer of Philadelphia. The ottoman originally came to the White House during the James Buchanan administration. It is photographed here in the China Room, likely during the John F. Kennedy administration. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This Rococo-Revival armchair was taken by George F. Mobley in 1962. It is similar to the one in G. P. A. Healy's famous portrait of President Abraham Lincoln. The chair was found in storage and reupholstered in wine-red velvet that was popular in the Victorian era. White House Curator Lorraine Waxman Pearce was most likely responsible for researching and arranging for the chair's restoration. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This white, cast-iron bench is of the Rococo Revival style during the Victorian era and may have been purchased during the Millard Fillmore administration. Bates Littlehales photographed the bench on the White House Grounds in March 1962. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This photograph of a side chair by Pierre-Antoine Bellangé in the Blue Room was taken in March 1962 by George F. Mobley. For First Lady Jacqueline Kennedy's restoration of the White House, the Blue Room was restored to the period of the James Monroe presidency. The chair had been returned to the White House Collection as a gift for that restoration project. In 1817, President Monroe imported a suite of gilded beechwood furniture by the noted Parisian cabinetmaker, Pierre-Antoine Bellangé, as well as a table plateau, vases, clocks, tables, gold centerpieces, and candelabrum to create a splendid setting for social events. The Blue Room is located on the State Floor of the Executive Mansion. The oval parlor has been known as the Blue Room since Martin Van Buren’s 1837 redecoration. The room is often used for receptions, photo opportunities, and during the holiday season is home to the official White House Christmas Tree. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This mahogany sofa was crafted in the Empire style with bronze sphinx heads decorating the corners under the arm supports. The sofa is believed to have belonged to First Lady Dolley Madison. This photograph captures the sofa as it appeared in the Red Room, during the John F. Kennedy administration. The silk upholstery was the same as the wall coverings at the time. This photograph is part of the Lorraine Waxman Pearce Collection. Lorraine Waxman Pearce served as the first White House Curator from 1961 to 1962. As curator, she oversaw refurbishment projects, implemented collections policies, and collaborated with First Lady Jacqueline Kennedy to write the first White House guidebook—a joint publication of the National Geographic Society and the White House Historical Association. Since its original publication in 1962, “The White House: An Historic Guide” has been revised, updated, and printed for over 60 years.

This bergère by Pierre-Antoine Bellangé of Paris is part of a 53-piece gilded beechwood suite ordered for the Oval Room (later called the Blue Room) by President James Monroe in 1817. A bergère is an armchair with upholstered and enclosed sides. The bergère is one of two made for the president and first lady. The bergère was photographed by Bruce White in the Blue Room of the White House.

This scrolled-back armchair was created by A. H. Davenport in 1902 during the Theodore Roosevelt administration. The armchair is one of six chairs ordered for the Green Room of the White House. The seats and backs were upholstered in tapestry fabric, making them the most expensive type of armchairs in the Green Room. The chairs were originally painted white but were later gilded in the 1930s.

This photograph, taken by Robert L. Knudsen on August 28, 1963, shows the China Room in the midst of refurbishments during the John F. Kennedy administration. As part of the redecoration of the room to a vibrant grey, white, and red color scheme, the central 19th-century gild-framed borne settee was reupholstered in red velvet. The red velvet used for the settee and to line the china cabinet shelves was inspired by the gown seen in Howard Chandler Christy's portrait of First Lady Grace Goodhue Coolidge, first placed in this room in 1952. A circa 1825 marble mantel, seen here at right, was also added to the room during the renovations. The project was overseen by First Lady Jacqueline Kennedy and French interior designer Stéphane Boudin.

This photograph, taken by Robert L. Knudsen on August 28, 1963, shows the Center Hall on the Second Floor of the White House after its redecoration during the John F. Kennedy administration. On the wall hang a series of portraits of American Indians by American author and artist George Catlin borrowed by First Lady Jacqueline Kennedy from the National Gallery of Art. Beneath the paintings is a Federal sofa, on loan and attributed to Samuel McIntire. Like the nearby East and West Sitting Halls, this space was redecorated by First Lady Jacqueline Kennedy. Interior designer Sister Parish envisioned the design concept for the space, while furniture was acquired under the guidance of Henry Francis du Pont and arranged by interior designer Stéphane Boudin. The Center Hall traverses the length of the Second Floor from the east to the west ends of the Executive Mansion, much like the Cross Hall and the Ground Floor Corridor on the floors below it. The Center Hall serves as the lifeline of the first family’s residence, leading off into the Lincoln Bedroom, the Yellow Oval Room, and the Treaty Room, among others.

This detail of the Red Room was taken in 2009 by Bruce White. In this shot are a guéridon (small, circular French table) made by Charles Honoré Lannuier, an American Empire style sofa, and Thomas Moran's 1895 painting "The Three Tetons". The Red Room is located on the State Floor of the Executive Mansion. The room was first decorated with red fabrics during the James K. Polk administration in 1845. The space is often filled with furnishings in the American “Empire” or “Grecian” style. The parlor has been used for intimate receptions, teas, and meetings.

This photograph of the Blue Room was taken by Cecil Stoughton in December 1962, prior to its restoration during the John F. Kennedy administration. As part of the restoration, First Lady Jacqueline Kennedy publicized her search for the Bellangé furniture suite purchased for the Blue Room during the James Monroe administration. Mrs. Kennedy eventually received a donation of two armchairs and two side chairs from the original suite. In 1962 Max Schneider & Son were commissioned to make additional reproductions for the Blue Room. The Blue Room is located on the State Floor of the Executive Mansion and is famous for its oval shape, central location, and views of the Washington Monument and Jefferson Memorial through its South Portico windows.

This photograph of a Victorian period sofa and chair in the Monroe Room, later known as the Treaty Room, was taken by Robert L. Knudsen on October 11, 1961 during the John F. Kennedy administration. These were, like many other pieces chosen for the restored rooms by First Lady Jacqueline Kennedy, were in poor condition resulting from extended periods of time in White House storage spaces. These pieces were refurbished and placed in the newly restored and renamed Treaty Room.

This photograph of White House Chief Usher James Bernard West seated on one of the French Empire banquettes was taken by Robert L. Knudsen on May 15, 1962 during a military reception. The banquettes were placed in the Entrance Hall during First Lady Jacqueline Kennedy’s restoration program. West was an integral part of the restoration program, serving as a liaison among the various decorators and advisers and as the right-hand man to Mrs. Kennedy.

This photograph of a painted cast iron garden settee was taken by Matthew D'Agostino on May 20, 2015 during the Barack Obama administration. This painted cast iron garden settee is attributed to Janes, Beebe and Co. of New York is in the Rococo Revival style. An avid gardener, President Millard Fillmore purchased this and several others for the White House Grounds. In this photograph, the settee is captured on the patio of the east end of the Rose Garden.

This photograph of a painted cast iron garden settee was taken by Matthew D'Agostino on May 20, 2015 during the Barack Obama administration. This painted cast iron garden settee is attributed to Janes, Beebe and Co. of New York is in the Rococo Revival style. An avid gardener, President Millard Fillmore purchased this and several others for the White House Grounds. In this photograph, the settee is captured on the patio of the east end of the Rose Garden.

This photograph of a painted cast iron garden settee was taken by Matthew D'Agostino on May 20, 2015 during the Barack Obama administration. This painted cast iron garden settee is attributed to Janes, Beebe and Co. of New York is in the Rococo Revival style. An avid gardener, President Millard Fillmore purchased this and several others for the White House Grounds. In this photograph, the settee is captured on the patio of the east end of the Rose Garden.

This photograph of a painted cast iron garden settee was taken by Matthew D'Agostino on May 20, 2015 during the Barack Obama administration. This painted cast iron garden settee is attributed to Janes, Beebe and Co. of New York is in the Rococo Revival style. An avid gardener, President Millard Fillmore purchased this and several others for the White House Grounds. In this photograph, the settee is captured on the patio of the east end of the Rose Garden.

This photograph of a painted cast iron garden settee was taken by Matthew D'Agostino on May 20, 2015 during the Barack Obama administration. This painted cast iron garden settee is attributed to Janes, Beebe and Co. of New York is in the Rococo Revival style. An avid gardener, President Millard Fillmore purchased this and several others for the White House Grounds. In this photograph, the settee is captured on the patio of the east end of the Rose Garden.